Tuesday, September 27, 2011

Digital vs. Handmade


Gallery Nucleus is having a dragon themed show next month called Breath of Embers, opening October 8th. I'll be showing the original drawing from an illustration commission I did for SooJin Buzelli at Asset International back in August.

This gave me the unusual opportunity to try to execute a piece I finished digitally for print in actual media for the gallery show. I changed the color scheme as it didn't work with the actual pigments.

The original digital composite for print:


The NEW original drawing without digital alteration:



Is the original drawing now better than the digital one? It might be. I think the values are better. Dang. The magazine is just out now. Below, the spread from the magazine in context.


Friday, September 16, 2011

Ecotrust Poster


This giant poster, which at full size is 24" x 36", was commissioned by Ecotrust, a really amazing organization dedicated to lobbying for better sustainable economic and environmental practices in the Pacific Northwest. They sent me a long list of jobs that would be found in a better, more sustainable economy. These jobs ranged from manual to technical and in all different kinds of terrain. The challenge became how to create a space that would allow me to demonstrate all these different jobs in their appropriate location- while also helping a viewer understand their benefit. 

It was a challenge drawing that large and also keeping the figures playful and clear. 
A few small details from the big image above. Thanks to Howard Silverman for the great project. 





Tuesday, September 13, 2011

Pictures from the East


A few photos of the amazing Rolling Stone opening and Princeton Book Festival. Some illustrator named Yuko Shimizu shared the bill on the poster outside the Society of Illustrators Building. (I can never beat Yuko at ANYTHING.) Thanks for a great time everyone! Apologies to Johnny Dombrowski, see above. 











Sunday, September 11, 2011

Thoughts on September 11th, 2001


Ten years ago, I watched the North Tower of the World Trade Center collapse from my roof in Jersey City.
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The biggest adventure of our newly married lives had started just two week earlier, when Andrea and I had moved to the city so I could attend graduate school in New York. We had no idea how to get anywhere, we were frightened of our new urban neighborhood and we were very lonely.

To call it a 'strange' way to frame our introduction to living in New York City is an inadequate service to the magnitude of the day to the thousands of others more significantly impacted than myself, but strange it was. I had moved there on a risky bet that I could be an artist. We sold our two cars, Andrea had left her job (and her dog!), I took out tens of thousands in loans and then we left everything we knew for the city of possibilities.


Those possibilites and dreams seemed irrelevant as we stood with our entire apartment building that morning. To the left and the right, the roofs of every brownstone and high-rise we could see were covered with people just like us- transfixed, bewildered and scared.  Behind them, I could see the Statue of Liberty, clear as a bell.

Our television was out (the antenna signal we used came from the tower on top of the World Trade Center) and I had not brought a real radio with us from Kansas. The only radio we had was a small tschotske radio we got for free, ironically, when we had visited the World Trade Center a week earlier. We didn't go inside the towers, and we only stayed in the courtyard for about ten minutes. But, this was long enough to get a free radio from Bloomberg 1130am on which we'd listen to the news all day on Sept 11th.
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I tried to work on some drawings that day, (after hours of news fatigue) but it was impossible. The very image on my desk at that moment was a promotional postcard that portrayed New York as The Emerald City from the Wizard of Oz, (my idea of a clever concept at the time, since we were moving from Kansas to New York). In the light of that day, this drawing seemed naive, even childish. I finished it anyway.


Andrea and I watched "You've Got Mail" that day, a romantic comedy that may be more about New York than it is about falling in love. It was one she and I would probably watch two dozen times that fall. It felt like an escape to a New York that might never have existed or never would again.

I feel grateful to have been in New York in the months that followed. This may seem counter-intuitive, but, to me, it instantly became a less intimidating place.  As every blank surface was covered in missing person flyers,  the town became a living memorial over-night, everyone was looking for some reassurance.

I have no significant reflections other than my own experience of that time. I did not know anyone in those towers, and had only one friend on my street who was inside ground zero when it happened. But, it started a new chapter in my life in so many ways, that I look back on that day with an unusual kind of greif and nostalgia.

I have no photos or drawings of September 11th. All I have of that day is a bottle of ash, above,  that I kept from a windowsill in lower manhattan.



Thursday, September 08, 2011

Rolling Stone + Princeton Children's Book Festival


This weekend, I'll be attending Rolling Stone and the Art of the Record Review show at The Society of Illustrators in New York. The opening is Friday September 9th, and my Beastie Boys drawing from their 2004 release To the Five Boroughs is featured in the show.

Very honored to have got some good NY press on the show with my image as well. Two images from AM NewYork and The New York Post.


On Saturday, I'll be doing a reading and signing books at the amazing Princeton Public Library as a part of their annual Children's Book Festival. Come on down, 11:00am to 4pm!

Tuesday, August 30, 2011

The Art of Science- Rogue Waves


Chronicle Books is publishing a visual anthology called The Art of Science and I was asked to participate in the collaboration. Each artist was paired with a scientist to answer a mysterious question. I was assigned "Do Rogue Waves Exist?"

Julia Rothman, the art director/curator, (for lack of a better description) described it like this:


We have been working with a huge group (more than 50) scientists from all different fields: Anthropology, Physics, Chemistry, Meteorology... They have described some of the big mysteries in their fields and the theories behind them. From the big picture (What existed before the Big Bang? What is dark matter? Are there more than three dimensions? Why does the Earth hum? Can evolution outpace climate change?) to the little wonders (Why do we yawn? Can trees talk to each other? Why do cats purr? What is the smallest unit of matter?). In many ways both scientists and artists are exploring the unknown, and we hope this book will amaze readers with both science's mysteries and artists' imagined explanations.


Needless to say, this is 100% fun, and the essential reason I love my job. Here are a few sketches, color studies and other thumbnail ideas from the creation process below.


 

I might be most proud of that super flat yellow, which was not created digitally. It is like I'm working in the 19th Century! 


Didn't realize I used the golden rectangle... (sort of) 




Friday, August 26, 2011

Come See the Design-ustrators!


I'm happy to announce an upcoming Gallery Talk at The Society of Illustrators in New York, featuring Chris Silas NealJennifer Daniel and myself titled Illustrator As Designer. It will be on October 1st, from 2 - 4pm at the Society of Illustrators, 128 East 63rd Street, New York, NY.
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In all corners of the graphic world, the traditional line between designer and illustrator has been redrawn, smudged and reinvented. From book jackets, magazine spreads, hand-drawn type and informational images, illustrators and picture makers are no longer limited to the edges of the traditional art box. 

Come see this three-ring-circus presentation about designed images, drawn text and the creative process. Featuring John Hendrix, Chris Silas Neal, and Jennifer Daniel.

Thursday, August 18, 2011

Ghosts in the Floorboards


A few overly-cute spots for Popular Mechanics about the troubles with living in old houses full of squeaky noises and mysterious sounds.







Wednesday, August 03, 2011

Dragon Detector


The amazing art director from Asset International, SooJin Buzelli, gave me a fun assignment a few weeks back for the magazine Plan Sponsor. Now, this magazine has is about mutual funds and financial instruments that are way above my pay-grade and interest level. The particular piece I was given was summarized: Following the struggles of the financial crisis, the index providers are more important than ever for European plan sponsors. This is a very dense and not very enticing synopsis. But, SooJin asked me to respond to the prompt "Knowledge is Power." This is much easier to define for a visual metaphor, which is part of what makes her a great art director. (Take notes, student designers).


I had just seen one of my former students, Andrea Taylor, in a wonderful production of "The Hobbit" here in St. Louis. She played the Elf Queen but ALSO she created and built a wonderfully massive Smaug puppet for the shows final scene. I'd been in a mood for drawing dragons ever since!

Above, a very bad picture of it, I'm sure she has a better one somewhere.  






I sent three sketches that focused on some kind of tactical advantage because of tools or intelligence, and they all involved dragons! 




I did a few color studies and tests to figure out if I wanted to draw it all by hand or color it digitally. It ended up being a mix of both. Thanks for the piece SooJin!

Sunday, July 31, 2011

Canary and Coal


My advertising reps,  Bernstein &Andriulli,  asked me to contribute to a new promotional directory which pairs images and famous quotations. This is a self directed drawing I did that will be appearing alongside the Tom Brunner quotation "Inspiration can come from anywhere, and usually when you least expect it."

Anytime you are working primarily as your own art director, it is tempting to be rather indulgent. My first sketched was an attempt to get a larger narrative to work with this drawing, but I found it ultimately distracting.




Final Sketch



Drawing in Progress. 



Final drawing without color. 



Color study/ Value study. 
Since the values of the ink were so rich, I used a very monotone/limited palate for the colors. I wanted the focus to be on the lighting effect and not the individual hues. 


If you'd like to know more about these two characters, stay tuned for an upcoming picture book about them! 







Wednesday, July 20, 2011

Coin-Op Cardinals


ESPN the Magazine asked me to do a drawing for their front-of-the-magazine package which only calls for illustrated type that says "Go Play." As long as you include that, the content is wide open.

I sent these four ideas for the art director to choose from, and I was positive they would go with D (the playground type) but was thrilled they let me draw these cardinals in a rocket. Look for it in next months issue.